Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-05-21 05:16 pm

The Big Idea: Adam Oyebanji

Posted by Athena Scalzi

Inspiration can come from anywhere, even from a nautical legal case from the 1700s. Author Adam Oyebanji lets us glimpse into some marines’ tragic pasts in the Big Idea for his newest novel, Esperance. Dive in and see where the waves take you.

ADAM OYEBANJI:

If I were ever reckless enough to confess my faults, I’d admit to being nosy, easily distracted and addicted to tea.  To my mind, at least, these are forgivable foibles.  People in glass houses and all that.  However, I’m also a lawyer and pretty freaking unrepentant about it.  A wig and gown in England, charcoal suits in Illinois, juries in both places.  Feel free to judge, but if you do, remember that judges are lawyers too.  I’m just saying.

Before I was a lawyer, though, I was a law student.  In England.  Which is important, because law in England is an undergraduate program in a country where the legal drinking age is eighteen.  Torts in the afternoon, tequilas in the evening, and who has time for mornings?  The high-pressure seriousness of a US law school is mostly missing.  I say “mostly” because some people are incapable of a good time at any age.  So, let’s acknowledge them in passing and move on.  Law school English style is one part learning, one part good times with a dash of heartache.  Oh, and get this.  In my day it was ABSOLUTELY FREE.  We got paid to go there.  Hand to God.

Admittedly, this was a long time ago.  So long ago, in fact, that we cracked open actual books instead of laptops.  Books that, in addition to the assigned reading, contained hundreds of cases that were of absolutely no interest to my professors.

But if one happened to be a hungover law student who was both nosy and easily distracted, the assigned reading could rapidly lose its allure.  Who cares about the rule against perpetuities anyway?

Now that I come to think about it, and having practiced law for more years than I’m going to admit to, I still don’t care about the rule against perpetuities.  But I digress.

The point about a nosy, easily distracted law student poking about in a book is that it’s a book.  Books, unlike a computerized law report, are completely non-linear. You can riffle the pages and land on something completely different almost without conscious effort.  Forward, backward, upside-down if you like, it’s all too easy to get lost in other people’s long-ago legal troubles, because those, let me tell you, are way more interesting than whether X has created a future interest in property that vests more than twenty-one years after the lifetimes of persons living at the time of the creation of the interest.  (You cannot make this stuff up).

Rather than deal with the assigned boredom, I spent a chunk of this particular afternoon in the Eighteenth century: duels, infidelity, murder and, of course, marine insurance.

Now, when it comes to boredom, the law of marine insurance is hard to beat.  Except for this.  If a marine insurance case makes it into a law report, the underlying disaster, the thing that triggers the insurance claim, can be kind of interesting.  In this particular case, from 1783, the claim arose out of a voyage of such incompetence and cruelty that just reading about it took my breath away.  People died.  A lot of people.  And all anyone seemed to care about afterward was the value of the claim.  I had nightmares about it.  Even now, I sometimes have dreams so vivid I can hear the waves slapping against that ancient, wooden hull, the screaming of lost souls as things go horribly, irretrievably sideways.

And that might have been it, had it not been for my addiction to the stuff that made Boston Harbor famous.  I’m standing on my front porch, well into my sixth cup of tea when it hits me: the big idea.  Why not use the facts of this nightmarish shipping claim as the inciting incident of a novel?  And not a historical novel, but a sci-fi one, where the consequences carry forward to the present? A story about a Chicago cop who’s in way over his head, chasing a seemingly invincible criminal dead-set on writing an old wrong.  A story about a woman out of her own time and place prepared to do drastic things in expiation of sins that are not her own.  A story where human justice clashes with inhuman crimes in a deadly conflict of values.  Why not, once I’ve finished my beverage, go back inside and write that story?

So I did.  I called it Esperance.


Esperance: Amazon|Barnes & Noble|Books-A-Million|Bookshop

Author socials: Website

The Daily Bunny ([syndicated profile] dailybunny_feed) wrote2025-05-21 10:00 am

She's Giving Nefertiti

Posted by Daily Bunny

Thanks, Lisa and Mystery Bunny! Lisa writes, “I caught this wild hare today! She was kind enough to pose long enough for me to fumble for my phone and capture her beauty. Oh, those ears!!!”

Quotes of the Day ([syndicated profile] quoteoftheday_feed) wrote2025-05-21 12:00 am

Lisa Kudrow

"In most pursuits, one's self is one of the biggest hurdles to get over. You can't pursue something and be committed to it if you're apologizing for it at every party."
Quotes of the Day ([syndicated profile] quoteoftheday_feed) wrote2025-05-21 12:00 am
Dinosaur Comics! ([syndicated profile] dinosaur_comics_feed) wrote2025-05-21 12:00 am

a comic from the past (but it has dinosaurs in it, so, it's even further past than you're thinking.

archive - contact - sexy exciting merchandise - search - about
May 21st, 2025next

May 21st, 2025: I am in the woods of Juneau Alaska for COMICS CAMP! And there's no internet or cell signals in the woods of Juneau Alaska, so please excuse me if I take a bit longer to write back to emails than normal! I blame THE WOODS

– Ryan

Saturday Morning Breakfast Cereal ([syndicated profile] smbc_comics_feed) wrote2025-05-20 12:32 pm

Saturday Morning Breakfast Cereal - Unity

Posted by Zach Weinersmith



Click here to go see the bonus panel!

Hovertext:
Fortunately, world leaders will read this comic, see the error in their ways, and work to correc themselves at once.


Today's News:
SFWA ([syndicated profile] sfwa_feed) wrote2025-05-20 04:30 pm

How to Pitch to a Comic Book Publisher

Posted by Roxana Arama

by  Kristen Simon

Every comic book publisher has different preferences for receiving pitches. Some may not accept pitches at all, as they want to avoid the risk of copyright issues if a submission resembles a storyline they plan to publish. 

That said, checking a publisher’s website for guidelines is your starting point. Conduct your due diligence by researching the types of books each publisher releases. For instance, if a publisher exclusively publishes licensed properties, don’t pitch something that is creator-owned. Typically, standard information should be included in every pitch you submit, and this article outlines those details. It’s rare to be able to resubmit a pitch, so it’s crucial to get it right the first time. It’s also wise to connect with the editor in charge of the line you want to pitch; they may have specific preferences regarding how they like to receive pitches or may provide insights into what they are looking for. With all that in mind, here are the basics of what should be included in any pitch, regardless of the publisher.

First, contemplate the title of your pitch. An engaging title is the initial hook that encourages editors to open it and want to read more. 

Next, you’ll want to provide the formatting information, as many publishers have limitations on what they can or will publish. Those details include the number of issues and whether it’s an original graphic novel (96+ pages in length), a miniseries (four to six issues), a maxiseries (eight to twelve issues), or an ongoing series. Since the comics market tends to be somewhat fickle, if pitching an ongoing series, it may benefit you to indicate that the format for the first arc consists of five to six issues with a satisfactory ending but remains open to continuation. This number of issues represents a minimal financial risk for a smaller publisher, ensures readers aren’t left hanging, and collects nicely into a trade.

The genre and target audience should also be included. The genre is crucial because publishers often look to fill specific gaps in their publishing plans, such as horror or fantasy. Conversely, they may already have an excess of a particular genre, and this information helps avoid wasting their time. The target audience is also essential. Being specific about your age range is useful; some publishers have different imprints for various age ranges, and if a publisher can’t determine where your pitch belongs, it’s likely to get rejected. Similarly, it could be rejected if it goes to the wrong imprint and doesn’t fit the current lineup. Another reason why outlining the genre and target audience is essential is when pitching manga. Manga is categorized by age range, and this information is vital if a manga publisher has too many YA Isekai books while seeking more adult romantasy.

Listing comparisons, often called “comps,” is an effective way to convey the tone of your pitch. Comparisons can be as simple as “[this] meets [that],” “in the vein of [insert similar popular title already published],” or “If you like [that], you’ll love [this].” This method is also advantageous if your pitch is accepted. For original graphic novels and trade paperbacks distributed through publishers like Penguin Random House and Simon & Schuster, one of their requirements is to list comps. This aids their representatives in selling your book to bookstores and libraries. 

Many creators find it challenging to summarize their entire story in just one sentence. However, I encourage you to add a logline because it’s good practice when your comic hits the stands and you attend conventions to market your book. A strong one-sentence logline is invaluable if someone approaches your table and asks about your book. No one wants to stand around listening to a five-minute meandering explanation of your plot!

Including themes in your pitch is optional but recommended. If you pitch a YA book or manga, themes like self-esteem, belonging, or peer pressure can provide valuable information for the publisher to understand before diving into the rest of the pitch.

The concept is the most crucial part of the pitch. It should be half a page and represent the pitch itself. No questions should be raised (e.g., Will so-and-so ever find what they are looking for?), and the conclusion should be fully revealed. This is for the publisher, not the reader; they need to know everything. 

The synopsis is where you can break down the book or series into acts or issues. Each should contain a brief paragraph of two to three sentences. Manga features four acts, while graphic novels contain three. Breaking it down by chapters or issues is acceptable if the acts don’t effectively convey the pacing. Include sample sequential art story pages if required by the publisher. This consists of three to five pages of fully penciled, inked, colored (if applicable), and lettered art. I recommend avoiding additional pages, as the editorial staff’s time is valuable, and the likelihood of them reading beyond five pages is low. Including character designs can be beneficial but is usually unnecessary. Unless otherwise stated by the publisher, character designs should not replace sequential art pages.

To end the pitch, conclude with a paragraph that emphasizes what distinguishes this pitch from other works the publisher may be considering or publishing. This is crucial because every publisher seeks something unique they do not already offer or that another publisher isn’t currently releasing.

Conclude your pitch with biographies of the creative team, emphasizing the team’s or your accomplishments. If you are a beginner without substantial credits, simply include your contact information. 

These days, it is acceptable to pitch to multiple publishers simultaneously. However, remember that you seldom get an explanation if your pitch isn’t accepted. Avoid asking for feedback, even though it might help you understand what you could improve. Editors are busy, and unless they provide feedback, thank them for their time and ask if they are open to receiving more pitches from you in the future.

Explore more articles in THE COMICS PANEL series


Author photo of Kristen SimonKristen Simon is a comics industry veteran with over twenty years of editorial experience. She is currently an Executive Editor at Mad Cave Studios, overseeing the manga-inspired imprint Nakama Press. Previously, Kris was a Group Editor at IDW Publishing, overseeing their original graphic novels and new initiatives. At mobile video game companies Netmarble F&C and Com2uS Corp, she was the Editor-in-Chief and Managing Editor, respectively, where she oversaw translating their gaming IPs, such as Summoners War, into comics, webtoons, motion comics, and webnovels. She also ran her own events company, GeekChic Promotions, where she was the co-host of a popular YouTube show called Nerd Rage, which ran weekly from 2017 to 2020. Kris’s career in comics began with her getting a book called Small Gods accepted at Image Comics in 2003, which led to becoming the Editor-in-Chief of Image partner studio Shadowline Comics (Morning Glories) and Silverline Books (Dear Dracula), from 2005 to 2010. She also had a comic book character created based on her likeness, Editor Girl, who first appeared in the Bomb Queen IV: Suicide Bomber series in 2008. She is also the co-host and Chief Operating Officer of the Superfan Podcast.

The post How to Pitch to a Comic Book Publisher appeared first on SFWA.

Whatever ([syndicated profile] scalziwhatever_feed) wrote2025-05-20 02:40 pm

Close To Home: Gem City Catfé

Posted by Athena Scalzi

Do you like cats and coffee? Of course you do! And so do I, which is why I’m here today to tell you all about Dayton’s finest cat cafe, Gem City Catfé. If you’ve been reading the blog for a long time, you may remember I mentioned this catfé back in 2020, where I showed off a pretty enamel pin I got from the catfé the first time I went back in 2019.

It had been so long since I’d visited again that it totally fell off my radar for a while there, but I remembered it existed thanks to my friend Lauren, when she said we should go together. So we did! And it was so awesome that I went back the next day with Bryant, and honestly I’m ready to get back in there again already! Between the delicious drinks, friendly service, comfy decor, and, well, the cats, there’s no way you won’t fall in love with this place.

Gem City Catfé opened back in 2018, and is partnered with Gem City Kitties, a non-profit rescue, to provide plenty of kitties for you to come and pet and play with while enjoying a beverage. Whether you’re in the mood for matcha, a specialty latte, bubble tea, or even a cocktail or wine, they’ve got you covered. Personally, I really love their maple turmeric latte, and recently tried their Bee’s Knees matcha, which is a lavender honey matcha that was absolutely divine. I got it both days I went last week, iced of course. And have you ever seen such crazy combos for boba before?

A chalkboard style menu that reads

I am definitely going to have to try one of these at some point because they sound wild.

If this all sounds great to you, but you’re allergic to cats, there’s no need to worry. The catfé actually keeps the café and the cats separate. The café itself and the sealed off cat lounge have different air filtration systems. And, you can still watch the cats play and sleep and be cute through the glass if you decide to stay on the café side.

If you want to visit, they do accept walk-ins when they can, but there is a capacity on how many people can be in the cat lounge at one time, so I highly recommend booking a time slot online ahead of time. The cat lounge fee is $10, but you can actually get a membership that’s $25 dollars a year, and then after that initial $25 it’s only $5 for entry for yourself and anyone visiting with you, too.

Alright, I’m done yapping, and now you get your reward… cat pictures!

A handsome black cat with a tiny tuft of white fur at the top of his chest, looking at the camera with orange eyes. A perfect embodiment of Halloween.

What a distinguished gentleman!

A different, but equally as handsome black cat sitting in the windowsill. But like, lounging, not just sitting. Like straight up he is chillin' like a villain. He looks out the window phlegmatically.

Look at those beans!

Believe it or not, ANOTHER cat is chillin' like a villain in the exact same window, though it is the other corner of said window. This cat is a tuxedo, with all white legs, white chest, and a white neck/back of head plus one white ear, but a black mask and a black ear, and black all down his back and his whole tail is black. He has a pink nose (and pink beans)!

A pink nose and pink beans, a double feature.

The aforementioned tuxedo laying butt to butt with a brown and black tabby that appears to be sleeping. They're both curled up into little balls and just resting beside each other, in front of the window.

The windows are popular spots, apparently.

A beautiful grey cat with big green eyes, looking off into the distance. She sits on a table, elegant in nature.

And here we have my absolute favorite cat from the catfé, Nola. She was the sweetest, friendliest, chillest cat. She was so cute and just wanted to be pet. I love her so much, and unless her adoption fell through last minute, she should be in her new home as of yesterday. Whoever got her is truly lucky.

I am so serious about coming here more often now, so y’all can be expecting some cat photos on my Bluesky or Insta. Speaking of Insta, be sure to follow Gem City Catfé!

Have you ever been to a catfé before? Are you allergic to cats? Which is your favorite from the photos? Let me know in the comments, and have a great day!

-AMS

The Daily Otter ([syndicated profile] daily_otter_feed) wrote2025-05-20 12:18 pm

Everybody Say Hello to Otter 937!

Posted by Daily Otter

Via Shedd Aquarium, which writes:

Wave hello to Shedd’s newest temporary resident: a young southern sea otter, currently known as Otter 937, a species listed as threatened under the Endangered Species Act.
 
Rescued off the coast of California at 2 weeks old, experts determined a combination of rough sea conditions and low fog made any potential to reunite with her mother in the wild unlikely. Now, two years later, this otter is part of a one-of-a-kind program that helps prepare rescued pups to become potential future surrogate moms.
 
Why does this matter? The Endangered Species Act doesn’t just protect individual animals, it protects the ecosystems they belong to, the science that saves them and the generations of that follow.
 
At Shedd, this otter is more than a guest. She’s an ambassador for her species and for the urgent need to protect aquatic life and the waters we share.

Quotes of the Day ([syndicated profile] quoteoftheday_feed) wrote2025-05-20 12:00 am

Katharine Hepburn

"Acting is the most minor of gifts and not a very high-class way to earn a living. After all, Shirley Temple could do it at the age of four."